Sounds Of The Season — Wardruna

Yesterday I walked out the door into a fog that wove its tendrils through the pines and bitterbrush, sliding over the forest floor like smoke. This morning, a weak sunrise spills fragile light through the yellow leaves of the cottonwood outside my office. The roof shingles are white with frost.

’Tis the season for some Wardruna.

Like many, I discovered this neo-Norse band through Vikings, which has  a brilliant, evocative soundtrack. When the weather turns gloomy and brooding and my own Nordic blood begins to stir and sing, their primal sounds resonate.

Wardruna is a Norwegian music group founded by Einar Kvitrafn Selvik. In 2009 Wardruna enchanted their listeners with their mesmerizing debut album ‘gap var Ginnunga’, which also was the first part of a planned trilogy. In the ensuing years the group have spent a lot of time on adapting their music to a live format and establishing a live band. This resulting in a handful of very special concerts, perhaps most notably when they performed in front of the majestic 1100-year-old Gokstad ship at the Viking Ship Museum in Norway.

With the use of the oldest of Nordic instruments and poetic metres as well as lyrics written in Norwegian, Old Norse and Proto-Norse tongue, Wardruna is now, after nearly three years in the making, finally ready to return with the second album in the ‘Runaljod’ trilogy entitled ‘Yggdrasil’. Multi-instrumentalist and songwriter Einar Kvitrafn Selvik has, together with vocalists Kristian Espedal (aka Gaahl) and Lindy-Fay Hella, managed to make a strikingly beautiful and intense continuation of what was started with their first album, but without falling into the trap of merely repeating themselves. ‘Yggdrasil’ is also graced with guest appearances by renowned Icelandic composer Hilmar Örn Hilmarsson and Iceland’s leading rímur singer Steindór Andersen.

The ongoing ‘Runaljod’ trilogy is a musical rendition of the 24 runes in what is often referred to as the elder futhark. Some of the recordings are done outdoors in places or under circumstances of significance to each rune. Wardruna primarily use old and historical instruments such as primitive deer-hide frame drums, Kraviklyra, tagelharpe, mouth harp, goat horn, lur and more. Non-traditional instruments and other sources of sound like trees, rocks, water and torches are also used.

All of these elements are carefully woven into a rich musical landscape and complemented with whispering voices, melodic song and mighty choirs. Although Wardruna’s music share characteristics with music typically labeled as folk, world and/or ambient, none of these genres can really describe their unique style. It truly must be experienced.

They just released a brand-new CD, Runaljod – Ragnarok.

The drive, the chants mixed with perfect weather can put you in an altered state.

I don’t always listen to music, but when I do, it’s Wardruna.